communication /cmci/ en Announcing the fall 2024 dean's list /cmci/2025/01/12/announcing-fall-2024-deans-list Announcing the fall 2024 dean's list Regan Widergren Sun, 01/12/2025 - 07:38 Tags: advertising public relations and media design communication critical media practices deans list featured information science journalism media studies news

CMCI students who have completed at least 12 credit hours of 兔子先生传媒文化作品 course work for a letter grade in any single semester and achieve a term grade point average of 3.75 or better are included on the dean鈥檚 list. They receive a notation on their transcript and a letter from CMCI Founding Dean Lori Bergen. Congratulations to all honorees!

  • Lucia Abdelwahed
  • Kit Achar
  • Shea Ackman
  • Lucy Alagna
  • Kelli Alexander
  • Ava Alms
  • Bridgette Anderson
  • Bryce Andrews
  • Sofia Anerousis
  • Vicky Angelova
  • Josh Archie
  • Jack Armstrong
  • Remy Arnold
  • Grace Atencio
  • Emily Badeaux
  • Rebecca Badeaux
  • John Baggs
  • Alexia Bailey
  • Elizabeth Baker
  • Loren Baker
  • Owen Balboa
  • Bella Baldecchi
  • Maddie Baldwin
  • Emilie Barbattini
  • Katie Barcroft
  • Tomas Barrientos
  • Ellena Bassoukos
  • Alyssa Bauer
  • Katie Baxter
  • Enya Bayaraa
  • Taylor Beamer
  • Lily Becker
  • Emily Beckwith
  • Ryan Beebe
  • Kayla Beebower
  • Savy Behr
  • Haya Ben Essa
  • Carolina Benun
  • Parker Berkheimer
  • Adrianna Bhan
  • Charlie Bickham
  • Thomas Bischoff
  • Tommy Bittner
  • Katie Bixler
  • Rylee Blake
  • Kenna Blank
  • Miranda Bleau
  • Carley Blim
  • Riley Blomstrand
  • Sophia Bobier
  • Anvitha Bompalli
  • Jack Bond
  • Sophia Books
  • Sarah Boothroyd
  • Hailie Borges
  • Jack Boruchov
  • Grant Bowditch
  • Sarah Brady
  • Elizabeth Brechtel
  • Mateo Brenes
  • Hannah Brennan
  • Audrey Brice
  • Logan Brinker
  • Erin Brinkman
  • Ava Brittelli
  • Katie Brooks
  • Samantha Brouhard
  • Addison Brower
  • Emily Brown
  • Lili Brownell
  • Benjamin Browning
  • Ryan Bruins
  • Morgan Bruun-Jensen
  • Rachel Bryant
  • Tessa Buchanan
  • Juliana Buck
  • Ashley Budy
  • Fatima Bugaighis
  • Harper Bunn
  • Ben Burleigh
  • Griffin Burrows
  • Brooke Bursteen
  • Parker Burt
  • Ella Buss
  • Noelia Caballero
  • Sophia Caldwell
  • Isabelle Calvanese
  • Carly Cambareri
  • Mackenzie Campbell
  • Abby Cannon
  • Sarah Carleo
  • Jessie Carlin
  • Clara Carlsson
  • Kaitlyn Carpenter
  • Juliana Carpinelli
  • Kelley Carr
  • Mitchell Carswell
  • Alexa Carter
  • Madeline Caruso
  • Madison Cashin
  • Kathryn Castanoli
  • Mia Castro
  • Zachary Chagnon
  • Izzie Chan
  • Jack Chandler
  • Jesus Chavez
  • Hayden Chedid
  • Avery Childs
  • Angelina Christos
  • Madeeha Chughtai
  • Megan Chung
  • Tanner Clark
  • Avery Clifton
  • Emme Clymer
  • Morgan Coffin
  • Jacqueline Cohen
  • Blair Coldrick
  • MacKenzie Cole
  • Sydney Coleman
  • Sophia Collins
  • Sarah Connor
  • Scott Connor
  • Breah Conradson
  • Ainsley Coogan
  • Georgia Cook
  • Jennifer Corley
  • Susie Cormack
  • Gilberto Corral
  • Maddy Corzine
  • Bailey Craig
  • Grace Crawford
  • Elizabeth Cropper
  • Gavin Crowson
  • Charlotte Croy
  • Eryn Cryer
  • Kelajanae Curry
  • Tess Curry
  • Evan Curtiss
  • Lauren Curtiss
  • Dana Cutti
  • Liz Cutting
  • Emma Czohara
  • Ella Elisabeth D'Orazio
  • Olivia D'onofrio
  • Maayane Dadon
  • Clara Dailey
  • Ava Dallal
  • Abikael Daniel
  • Lacey Daniell
  • Hannah David
  • Gabriella Davis
  • Katherine Davis
  • Sasha Davison
  • Weston Deaton
  • Hunter Dee
  • Lily Delgado
  • Ryan Dial
  • Zach Dial
  • Ben Dickson
  • Jacob Dilling
  • Sydney Dobriner
  • Campbell Dokken
  • Connie Dolati
  • Lexi Dolsak
  • Eric Donjuan
  • Emily Doskow
  • Sydney Dossa
  • Wylie Douglas
  • Daniel Doupe
  • Aspen Doust
  • Averie Dow
  • Brady Dowd
  • Veronika Drab
  • Baylee Drevno
  • Noah Drewes
  • Michael Drozd
  • Vaughn Duby
  • Jean Duffy
  • Hannah Duthie
  • Mattia Echchaibi
  • Ansley Edelbrock
  • Camryn Eickenberg
  • Jenny Ellis
  • Ryan Ellis
  • Libby Emery
  • Sophie Englezos
  • Felix Estes
  • Morgan Evans
  • Nate Evans
  • John Ewald
  • Ellie Exenberger
  • Reed Ezor
  • Sophie Faust
  • Trent Finnegan
  • Maddie Fisher
  • Katie Flecca
  • Aidan Fliszar
  • William Flockton
  • Joe Fogler
  • Hayley Forstot
  • Ellie Foster
  • Rhen Fowler
  • Helena Fox-Mills
  • Celia Frazier
  • Cayden Friedman
  • Isabelle Friedrich
  • Colette Gagliano
  • Evanie Gamble
  • Jacalyn Gamble
  • Bailee Gammel
  • Lydia Gammon
  • Katelyn Gardner
  • Prestin Garman
  • Audrey Geer
  • Carly Gelfand
  • Hannah Giacomin
  • Ellie Gianola
  • Tegan Gie
  • Peyton Gildersleeve
  • Lauren Gillespie
  • Marin Gloor
  • Max Goldin
  • Samantha Goldin
  • Arlie Goldman
  • Max Gong
  • William Gooch
  • Julia Goodman
  • Max Goodman
  • Salem Goodman
  • Keira Gould
  • Abby Graham
  • Chloe Graham
  • Nora Graham
  • Cj Grandi
  • Edson Graycar
  • Erica Griffiths
  • Leila Gurland
  • Darien Gyselen
  • Ella Hack
  • Marin Hackney
  • Max Hagen
  • Paxton Haines
  • Alisa Haley
  • Aedan Hall
  • Alsa Halquist
  • Norah Hampford
  • Roxie Hampton
  • Nate Hankins
  • Mackenzie Hanlon
  • Carson Hanna
  • Justin Hansen
  • Eden Harari
  • Greta Harder
  • J.T. Harland
  • Maeve Harrington
  • Myla Harris
  • Sabrina Harris
  • Alex Hartman
  • Kate Hartman
  • Nick Haseman
  • Ethan Hatch
  • Josie Hayes
  • Keeley Haynes
  • Madison Hays
  • Grace Heligman
  • Stevie Hemans
  • Sam Hengehold
  • Will Henrickson
  • Mel Henry
  • Carson Henthorn
  • Anna Herth
  • Jack Hertzenberg
  • Carter Hessen
  • Chloe Hessinger
  • Kainoa Hiatt
  • Tyler Hibri
  • Antonia Hidalgo
  • Cassidy Hill
  • Grace Hilliard
  • Norah Hively
  • Sophie Hodgson
  • Hannah Hoffman
  • Johnny Hoisington
  • Sam Hokkanen
  • Mira Hougen
  • Donavon Houston
  • Owen Houtakker
  • Emily Howard
  • Ava Howe
  • Hannah Howell
  • Samantha Hruska
  • Haley Hubbard Godfrey
  • Wyatt Humble
  • Caitlin Humphrey
  • Daniela Hunt
  • Reese Illston
  • Helen Ingle
  • Greyson Ittig
  • Max Jacobs
  • Reed Jacobs
  • Maren Jacobson
  • Emma James
  • Lauren Jeffrey
  • Alana Jenks
  • Aaron Jensen
  • Annika Jobanputra
  • Mia Jochamowitz-Endersby Chikhani
  • Andy Johnson
  • Carter Johnson
  • Casey Johnson
  • Liv Johnstad
  • Teegan Johnstone
  • Max Julian
  • Taylor Kahn
  • Ryan Kalin
  • Faith Kaplan
  • Peyton Karp
  • Bailey Karraker
  • Peri Kay
  • Vivian Keegan
  • Samantha Keenan
  • Rachel Kennedy
  • Rowen Kennedy
  • John Kerklo
  • Ella Kest
  • Amy Kibort
  • Hannah Kijner
  • Angela Kim
  • Andrew Kingsepp
  • Julia Grace Kirk
  • Skylar Kisiel
  • Charlotte Kleinert
  • Miles Klingbeil
  • Ava Knopping
  • Will Kopp
  • Julia Kramer
  • Riley Krane
  • Ella Krelovich
  • Katie Krochalis
  • Carey Kronhart
  • Maddie Krozek
  • Oona Krukowski
  • Maria Kuhn
  • Samuel Kurtz
  • Matt Kushel
  • Alex LaMotte
  • David LaPaglia
  • Amy Labontu
  • Ruby Laemmel
  • Mia Lafayette
  • Raymond Lamlein
  • Ella Landry
  • Skyler Landry
  • Jonas Larson
  • Simon Lauritzen
  • Daniel Laverty
  • London Lawrence
  • Sarah Lawrence
  • Camille Leach
  • Juliette Leclercq
  • Lou Leclercq
  • Ava Leonard
  • Claire Levitt
  • Maya Levy
  • Jackson Lewis
  • Kara Liguori
  • Kya Lini
  • Mia Lioudis
  • Alexander Lipka
  • Leif Lomo
  • Skyler B. Longerbone
  • Lauren Lopez
  • Deborah Loseke
  • Linus Loughry
  • Janie Ludington
  • Anna Lynch
  • Zhehuang Ma
  • Taylor Madden
  • Mel Malloy
  • Emelia Mantz
  • Ella Marrufo
  • Jillian Martellaro
  • Stella Martens
  • Jackson Martin
  • Daniel Mattie
  • Maya Matus
  • Jake May
  • Alden Mazur
  • Audrey McClure
  • Matthew McGovern
  • Maddy McManus
  • John McDermott
  • Joey McDonald-Picolli
  • Fiona McGinnis
  • Tanner McIntosh
  • Sophie McKeown
  • Oliver McKinney
  • Jordan McPhee
  • Emori McQuigg
  • Sam Meldner
  • Alex Melvin
  • Ella Melvin
  • Gabby Mendoza
  • Nicholas Merl
  • Keala Mermel
  • Jackson Meyer
  • Julia Meyer
  • Leah Meyer
  • Olivia Meyers
  • Kristee Mikulski
  • Greta Milan
  • Clementine Miller
  • Creed Miller
  • Ellen Miller
  • Maggie Miller
  • Morgan Miller
  • Skylar Mills
  • Ally Milton
  • Samantha Mims
  • Amanda Mitry
  • Macy Mohlenkamp
  • Camryn Montgomery
  • Jayla Montoya
  • Jack Mooney
  • Clare Moore
  • Madison Moss
  • Mg Moulton
  • Lexi Moyers
  • Trevor Mueller
  • Brad Munson
  • Ally Murphy
  • Clare Murphy
  • Lia Murphy
  • Rue Murray
  • Addie Myers
  • Jacob Myers
  • Aahana Nandy
  • Presley Nemecek
  • Corey Neumeier
  • Hailey Newsum
  • Rebecca Niewood
  • Maggie O'Brien
  • Nora O'Connor
  • Emma O'Donovan
  • Brinley O'Neill
  • Gabriella Olson
  • Sofia Olsson
  • MariaJoan Olugbode
  • Karina Opalski
  • Alexandra Organa
  • Annika Ort
  • Max Osterman
  • Alina Ouligian
  • Emmett Owenby
  • Addison Paquin
  • Harley Parsons
  • Lauren Paschke
  • Giovanna Pascucci
  • Frankie Patton
  • Maya Paustenbaugh
  • Cassidy Payne
  • Madelyn Payne
  • Alicia Payrits
  • Sienna Peck
  • Kai Pelleriti
  • Caroline Pellerito
  • Tia Pepper
  • Quetzal Peterson
  • Amy Phillips
  • Rachel Pilik
  • Gibran Pillai
  • Valerie Pineda
  • Timothy Pivero
  • Macy Place
  • Jessica Plotkin
  • Ryan Podber
  • Katharine Polep-Sawyer
  • Brady Pollard
  • Ashley Pomeroy
  • Elizabeth Pond
  • Erika Port
  • Bradley Pratt
  • Dylann Pratt
  • Molly Precourt
  • Anna Prendergast
  • Addisson Pribble
  • Trevor Price
  • Grace Ptak
  • Jaden Quinn
  • Noor Rajpal
  • Mia Ramundo
  • Reece Randall
  • Olivia Randazzo
  • Andrew Rauber
  • Maya Raulf
  • Marissa Rauzi
  • Pauline Rawson
  • Rachel Ray
  • Quentin Rebholtz
  • Alex Redding
  • Cameron Reed
  • Molly Reed
  • Katrina Reghitto
  • Sebastian Gray Reid
  • Alexandria Reilly
  • Skyler Reneberg
  • Katie Reuter
  • Ella Revivo
  • Maddy Reynolds
  • Conner Richardson
  • Lauren Riley
  • Tessa Ring
  • Emma Ritter
  • Eliza Roberts
  • Ryan Robine
  • Berkley Robins
  • Aidan Robinson
  • Caniya Robinson
  • Justin Robinson
  • Michael Robinson
  • Isabel Robison
  • Kate Rogers
  • Audrey Rolstad
  • Avery Romig
  • Jenna Rose
  • Maddie Rosen
  • Alison Rosenbaum
  • Miki Rosenberg
  • Eli Rosenthal
  • Sam Russo
  • Emme Rutherford
  • Jay-Henry Ryan
  • Tanvi Sabharwal
  • Jessica Sachs
  • Joaquin Salinas
  • Luke Samiee
  • Charlotte Sample
  • Yahir de Jesus Sanchez Diaz
  • Anya Sanchez
  • Kayla Sanchez
  • Lydia Sarbacker
  • Tori Sarver
  • Milan Sasaki
  • Sophie Savage
  • Isaiah Saya
  • Riley Schermerhorn
  • Francesca Schiavitti
  • Gavin Schleich
  • Addie Schneider
  • Jaimie Schoenke
  • Tyler Scholl
  • Teagan Schreiber
  • Emerson Schroeder
  • Erin Schwaninger
  • Jonah Schwartz
  • Grace Scott
  • Olivia Scussel
  • Paige Searl
  • Mayla Seliskar
  • Iris Serrano
  • Max Shaffer
  • Ruby Shapiro
  • Julia Sharkowicz
  • Shubham Sharma
  • Natalie Sheehan
  • Jenna Shenbaum
  • Daniel Sher
  • Amanda Sherter
  • Lauren Shindler
  • Kennedy Shorett
  • Zoe Showalter-Flowers
  • Anika Siethoff
  • Matthew Silver
  • Olin Silverman
  • Harrison Simeon
  • Finley Simon
  • Leo Singer
  • Abby Sinno
  • Ryan Sklover
  • Emily Sloboda
  • Marie Slotnick
  • Chloe Grace Smith
  • Marlee Smith
  • Ryan Smith
  • Jake Snedeker
  • Lucy Snow
  • Ava Soares
  • Matt Solari
  • Sevi Solari
  • Sailor Sorensen
  • Lainey Sparks
  • Jessie Spires
  • Emma Stanfill
  • Lola Stanley
  • Rylie Stark
  • Reese Starr
  • Ashlin Stasswender Swasey
  • Alexander Stein
  • Katie Stephens
  • Zoe Stillman
  • Braden Stirrett
  • Ava Stoller
  • Mary Strasser
  • Aliza Strear
  • Elizabeth Suffian
  • Lucy Suja
  • Daniel Sullivan
  • Olivia Sullivan
  • Livi Sweeterman
  • Miles Swope
  • Sadie Symonds
  • Leah Szabo
  • Harper Tagg
  • Miguel Tanner
  • Sarah Taylor
  • Cecelia Tecu
  • Mandi Thoman
  • Emma Thomas
  • Emma Thomases
  • Sage Thompson
  • Leslie Tingley
  • Grace Toomey
  • Zohair Toor
  • Clio Torrance
  • Rylie Trager
  • Katy Tran
  • Eliza Travelstead
  • Eduardo Trejo Trinidad
  • Clara Trezise
  • Ricky Tuka
  • Jazzy Tung
  • Emma Tutaj
  • Katelyn Tyree
  • Zoe Usher
  • Jesse Uzansky
  • William Vander
  • Celia Vargas
  • Sydney Venetsanopoulos
  • T茅a Giselle Villarreal
  • Holden Vincent
  • Chloe Walsh
  • Liam Walsh
  • Elsa Warlick
  • Ashley Warren
  • Luke Watson
  • Aaron Wechsler
  • Noelle Weeger
  • Jr Weeks
  • Jenna Weil
  • Sami Weinstein
  • Holly Weiss
  • Morgan Weiss
  • Sophie Wendt
  • William Wetzel
  • Regan Widergren
  • Owen Wiggans
  • Jackson Williams
  • Trevor Williams
  • Jake Williamson
  • Molly Williamson
  • Delaney Willing
  • Sammie Jean Willoughby
  • Liv Wilson
  • Emma Winkelbauer
  • Amanda Winslow
  • Ty Wurtz
  • Chloe Yearous
  • Ashley Yi
  • Hannah Young
  • Arwyn Zaleski
  • Emma Zande
  • Emma Zawatski
  • Julia Zentmyer
  • Elsie Zerega
  • Mingwei Zhou
  • Matt Zimmermann
  • Rachel Zing
  • Jack Ziporin
  • Calvin Zuschlag
  • Vega de la Vega

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Sun, 12 Jan 2025 14:38:04 +0000 Regan Widergren 7189 at /cmci
Recycle, reuse鈥攔ethink? How a fresh approach to storytelling could put plastics in their place /cmci/news/2024/10/17/research-pezzullo-plastics-climate-storytelling-awards Recycle, reuse鈥攔ethink? How a fresh approach to storytelling could put plastics in their place Anonymous (not verified) Thu, 10/17/2024 - 07:43 Tags: communication featured media studies news research

By Joe Arney

We鈥檙e going about environmental storytelling all wrong. 

When Rachel Carson published Silent Spring in 1962, it became a rallying point for the nascent environmental movement鈥攏ot because it was a scientific book (though it is), but because of its haunting opening pages that described a town where the birds and bees had vanished, fish were gone, fruit wouldn鈥檛 blossom, and disease ran rampant.

That scene moved people to ban pesticides and rethink humanity鈥檚 role in the larger environment. But, Phaedra C. Pezzullo said, until we figure out how to tell stories about today鈥檚 environmental crises鈥攍ike plastic pollution and climate change鈥攁ll we have are data that, alone, fail to move people to action.

鈥淲hat many people are arguing is that the climate crisis is a crisis of imagination and of communication,鈥 said Pezzullo, a professor of communication and media studies at the University of Colorado Boulder鈥檚 College of Media, Communication and Information. 鈥淭he idea is, we struggle to grapple with what is the climate鈥擨 can鈥檛 touch it, I can鈥檛 see it鈥攕o how do we tell stories that empower people, instead of only getting caught up in the data?鈥

Interdisciplinary insights

Pezzullo鈥檚 interdisciplinary approach to the problem of plastics鈥攖he science of microplastics permeating the human body and the way of explaining that crisis in a way that inspires people to demand action鈥攈as helped her see a need for a fresh approach to how we talk about such complex problems. 

It鈥檚 partly what moved her to start a podcast series, , and her most recent book, , which was published last year. The book has generated significant attention as the media struggles to cover the plastics problem; since the summer, it has won three significant prizes from the National Communication Association: a Diamond Anniversary Book Award, the James A. Winans-Herbert A. Wichelns Memorial Award for Distinguished Scholarship in Rhetoric and Public Address and, significantly, the Tarla Rai Peterson Book Award in Environmental Communication, named for a prolific scholar who Pezzullo met years ago at a conference. 

鈥淚t鈥檚 an honor to have this book recognized and affirmed by my colleagues with expertise in environmental studies, rhetoric, and across the entire field of communication,鈥 Pezzullo said.

In some ways, Beyond Straw Men and Pezzullo鈥檚 search for impactful storytelling is the kind of scholarly work that鈥檚 uniquely possible at a place like CMCI. The college was created to address the complex challenges of today鈥檚 interconnected world, which require interdisciplinary perspectives to effectively engage. 

It鈥檚 an approach that resonates with partners outside the university. In her role as director of 兔子先生传媒文化作品鈥檚 graduate certificate in environmental justice, Pezzullo has been working with Colorado鈥檚 Department of Public Health and Environment to help update its quantitative database of communities most affected by environmental damage. Undergraduates in a new class she鈥檚 teaching, Advanced Topics in Storytelling, Culture and Climate Justice, are updating story maps to help the state assess how the message it鈥檚 spreading about climate impacts local communities. 

At CMCI, expertise in 鈥榟ow to move people鈥

鈥淭hese stories need to be assessed so they can figure out if they are empowering residents,鈥 she said. 鈥淎re they rich enough, compelling enough, moving enough? Or did we lean too hard on data that maybe is too dense for this audience? 

鈥淎nd that鈥檚 why the state would love more partnerships with people in CMCI who can help them build capacity for the storytelling component, because they spend so much of their own time in the weeds. There鈥檚 a thirst for research that understands the climate science, but also brings to the conversation an appreciation for how to think about audiences, context and how to move people.鈥 

Part of that is finding ways to avoid confining stories about topics like pollution and climate to negative headlines, disaster movies, dystopian fiction and the like.  

鈥淲e鈥檙e getting to the point with climate justice where you have to change attitudes, beliefs and the culture, and that means you need a range of stories鈥攊ncluding comedies, as my colleagues I work with across campus have shown. We have to use a whole range of human emotions to change a culture.鈥 

It also means those stories need broad appeal, so they aren鈥檛 just preaching to the converted. 

 

  鈥淭here鈥檚 a thirst for research that understands the climate science, but also brings to the conversation an appreciation for how to think about audiences, context and how to move people.鈥
Phaedra C. Pezzullo, professor, communication and media studies

鈥淭he argument of folks who are working on climate storytelling in the industry is any film or media content created for the present or the future that does not have climate change as part of its backdrop should be considered fiction, because it is a part of life,鈥 she said.

The desperation to find the right storytelling techniques for plastics is easy to see in the endless drumbeat of bad news about plastics clogging rivers, causing floods; being burned, destroying air quality; and invading our drinking water, food supply and bodies.  But like all good stories featuring hardship, this one has a protagonist we can easily root for. 

鈥淲hat I鈥檓 interested in right now is the idea of repair,鈥 Pezzullo said. By that, she means material repair鈥攊n May, Colorado passed its third right to repair law, empowering consumers to fix, not flush, things like broken phones鈥攂ut also repairing relationships, especially in the case of well-meaning partnerships where, say, an NGO promised a solution to a plastic problem in the global south that failed. 

鈥淗ow do we have accountability, but also find a way to forgive people for mistakes?鈥 she said. 鈥淚t鈥檚 very challenging right now to admit that people have made mistakes, and then鈥攊f they鈥檙e willing to do the work or willing to do the repair work, forgive them.

鈥淎nd, of course, how do we repair the earth? That鈥檚 the most important question to me.鈥 

A CMCI expert鈥檚 book has won a trio of awards for its attempt to change how we think about, and tell the story of, plastics pollution.

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Thu, 17 Oct 2024 13:43:37 +0000 Anonymous 7140 at /cmci
If it ain鈥檛 鈥榳oke,鈥 does it need fixing? /cmci/news/2024/10/14/research-kuhn-communication-book-entrepreneurship If it ain鈥檛 鈥榳oke,鈥 does it need fixing? Anonymous (not verified) Mon, 10/14/2024 - 09:15 Tags: communication faculty featured news research

By Joe Arney

Does 鈥渨oke鈥 make you broke? A new book from Tim Kuhn serves as a reminder that, while we might think of corporations as single-minded entities, they are in fact messy and complex鈥攁nd that messiness often is where innovation takes place. 

鈥淐orporations often deploy purpose to create order, to fight complexity, because we typically think of a good organization as being orderly,鈥 said Kuhn, a professor of communication at the University of Colorado Boulder鈥檚 College of Media, Communication and Information. 

鈥淧urpose tends to be seen as this device that produces similarity, produces unity, produces a setting or a culture where everybody is on the same page. And that is a fantasy.鈥

So, when you see companies posting about pride or gun control, it doesn鈥檛 mean they鈥檝e suddenly been taken over by 鈥渨oke鈥 warriors. Rather, it鈥檚 evidence of different perspectives and new avenues of thought being pursued within a larger organization. Those can produce more humane workplaces and foster innovation鈥攚hich, together, can be healthy for the bottom line, Kuhn said in the book, .

Corporate purpose, Kuhn said, has often been framed as either producing profits or following principles. 鈥淪ome versions of purpose can be a claim for morality, for your business to stand for more than shareholder maximization,鈥 he said. 

But believing corporations are only a single thing means 鈥渨e鈥檙e missing an opportunity to understand their complexity and how they effectively serve a wide variety of purposes,鈥 he said. 鈥淪aying that corporations just want profits, full stop, is perhaps way too simple, and does an injustice to both businesses and the good people who work in them.鈥

鈥楧ysfunction鈥 as a business driver

For businesses to pursue both purpose and profit鈥攖o walk and chew gum at once鈥攊s a good thing, because being open to multiple outcomes can help companies develop new lines of business. Chasing the idea that an organization must choose a single form of value often creates the dysfunctions managers think they need to neutralize. 

 

  鈥淧urpose tends to be seen as this device that produces similarity, produces unity, produces a setting or a culture where everybody is on the same page. And that is a fantasy.鈥
Tim Kuhn, professor, communication

By way of example, Kuhn鈥檚 book mentions Coinbase, which operates a cryptocurrency exchange platform. In 2020, as social tensions heated up from the pandemic, the Black Lives Matter movement and a charged pre-election climate, CEO Brian Armstrong said there would be no political conversations permitted on workplace channels. 

鈥淎nd, as you can imagine, employees revolted,鈥 Kuhn said. 鈥淓mployees said, 鈥楾his company is about shaking up the way the world works. Politics is core to who we are.鈥欌 

Coinbase offered severance to employees who left over the policy, and while the business was private at the time, making it hard to evaluate impact, Kuhn said this was an opportunity lost. 

鈥淲hat if you thought of strategy not as an attempt to create unity and a simple trajectory for your firm?鈥 he said. 鈥淲hat if you thought of strategy as developing from the many possibilities for our future鈥攖he many voices that made up the organization? What new practices, what appeals to new audiences, might have emerged from that?鈥

Leaders, Kuhn said, 鈥渟hould be less fearful of conversations that stray from our predetermined purpose or strategy, and instead foster conversations that develop emergent, perhaps unanticipated, practices that could be considered part of our complex organization.鈥

Exit strategies

That sort of adaptability is crucial for corporations charged with innovating amid change and competition. Unfortunately, they don鈥檛 always get there. As part of his research, Kuhn observed a high-tech incubator in action. While the entrepreneurs housed there had big ideas about disruption, the accelerator鈥檚 model was laser-focused on exit strategies for the startups, as that鈥檚 where their money came from. 

鈥淭hat makes sense, in that we often think that鈥檚 the only way corporations think about value,鈥 Kuhn said. 鈥淏ut as I spoke with many of these startups, they were interested in a variety of other forms of value. Many wanted to fight the corporate machine, were really interested in civic values or just wanted to do something technologically cool, whether it paid off or not.鈥 

Instead, he said, they were pushed to sell out in ways that didn鈥檛 always make sense for the long-term viability of their companies, 鈥渁nd it was telling for me that there was a corporation鈥攖he accelerator鈥 that was doing the pushing鈥攁 form of communicative capitalism that was making these nascent firms into something they didn鈥檛 want or need to be.鈥

The book is a collection of theoretical deep dives into how communication, purpose and authority intersect, but there are plenty of practical takeaways for leaders looking for an edge in innovation.

鈥淥rganizations are these conglomerations of humans, practices, places, things, passions, times, histories and so on,鈥 Kuhn said. 鈥淚f managers think their proclamations will directly produce the outcomes they want, they are probably not long for their positions. Because nothing is that simple.鈥

New research suggests communications outside of a business鈥 core purpose can stimulate innovation and new lines of activity.

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Mon, 14 Oct 2024 15:15:54 +0000 Anonymous 7134 at /cmci
Demonstrative democracy: At forum, students show energy, curiosity about engaging with politics /cmci/news/2024/10/02/democracy-election-faculty-debate Demonstrative democracy: At forum, students show energy, curiosity about engaging with politics Anonymous (not verified) Wed, 10/02/2024 - 15:32 Tags: aprd communication featured journalism media studies news research

By Joe Arney
Photos by Arielle Wiedenbeck

In sports, it鈥檚 often said, offense wins games, but defense wins championships. 
  
For Cody Walizer, when it comes to politics, that鈥檚 inverted鈥攇ood defense can win a debate, but it鈥檚 offense that wins elections. And that鈥檚 unusual because of how little time candidates spend on offense when they are sparring onstage. 

鈥淲hen someone has an opportunity to build, to go on the offense, but choose to play defense, that鈥檚 a bad sign for their position,鈥 Walizer, an assistant teaching professor of communication in the College of Media, Communication and Information, said. 鈥淚t鈥檚 also a sign maybe they鈥檙e trying to play these political games, as opposed to being a good debater.鈥 

Walizer was one of nearly a dozen panelists speaking at a voter engagement fair put on by CMCI, CU Student Government and the Office of the Chancellor, in association with 兔子先生传媒文化作品鈥檚 Conference on World Affairs. About 150 students attended on Tuesday night to ask questions about politics and elections, register to vote, and learn how to become involved in local elections. 

Walizer was invited to participate because of his expertise in debate. He captained his high school debate team and has extensive experience coaching debaters, and said, 鈥淚 can very firmly state that I have never seen a presidential or vice presidential debate that was a good debate.鈥 

That鈥檚 because politicians rarely play offense, which Walizer described as constructing arguments and showing why your side is right. Instead, they play defense鈥攄econstructing arguments and saying why the other side is wrong. 

Three panels answered questions submitted by students ahead of time, which covered issues such as the role social media plays in political messaging, how ideology plays out with voters, and how students can involve themselves and help ensure electoral integrity. 

Not taking sides

Leah Sprain, an associate professor of communication and director of the university鈥檚 Center for Communication and Democratic Engagement, co-moderated the event and frequently praised the quality of questions that students contributed.  

Sprain studies democratic engagement, particularly how to  support the ways people come together to make decisions on public issues鈥攅nabling participation, designing better meetings or rethinking civic norms. When she has worked to help other groups structure their meetings more effectively, she found participants may assume more knowledge about a particular issue than they actually possess. 

鈥淭hey wanted to hear more about how this election would have consequences throughout their lives,鈥 Sprain said. 鈥淭hey were asking about how to make sense of politics, versus just taking sides on issues. That surprised me.鈥 

Of nearly 200 student registrants, dozens submitted questions, 鈥渨hich is a proportion of interest you don鈥檛 typically see, especially when some people are registering for things like extra course credit.鈥 

Some of the liveliest discussion concerned social media鈥檚 capacity for good and harm, through generative artificial intelligence, advertising and the like. Sandra Ristovska, associate professor of media studies, and Alex Siegel, associate professor of political science, said elections have always been shaped by new technologies. Siegel said the railroad and telegraph helped create a national audience for Abraham Lincoln by offering more timely coverage of the Lincoln-Douglas debates. 

  鈥淭hey were asking about how to make sense of politics, versus just taking sides on issues. That surprised me.鈥
Leah Sprain, associate professor, communication

Bogus content isn鈥檛 new, Ristovska said, and recent research suggests we鈥檙e good at not letting it influence how we vote, but in India鈥檚 elections earlier this year, 鈥渄eepfakes did contribute to sexual harassment of women, the intimidation of journalists and the intimidation of human rights activists in the country,鈥 she said. 鈥淲e need to be paying more attention to those things.鈥 

Michaele Ferguson, an associate professor of political science, talked about an essay she has students write at the start of her undergraduate course on modern ideologies. Each student describes his or her ideology; she consistently finds students support a mix of free-market economics and social justice issues, like reproductive and LGBTQ+ rights. 

That鈥檚 not a coalition you typically see in the United States, she said, as those issues are claimed, respectively, by the right and left of the spectrum. Ferguson said she鈥檚 intrigued by Vice President Kamala Harris鈥 attempt to signal support for both camps 鈥渁s a way to peel away voters who would otherwise sit out elections or vote Republican.鈥

鈥淚t鈥檚 really exciting to me to see her doing the very thing that my class exercise would tell you is the strategy to win an election in the United States.鈥

Other presenters included Chuck Plunkett, director of CU News Corps; Toby Hopp, associate professor of advertising; Patrick Deneen, a visiting scholar at the university鈥檚 Benson Center for the Study of Western Civilization; Molly Fitzpatrick (PolSci鈥11), Boulder County clerk; and junior Grace Covney, a tri-executive with CU Student Government.   

Learning to lead through government

Tyler Rowan, another CUSG tri-executive and a junior studying international affairs, said he hoped the energy of the room translated into active participants in the election. 

He got into student government not for partisan reasons, he said, but because 鈥淚 wanted to make the most out of school and learn how to lead. Student government has taught me that鈥攊t鈥檚 taken a majority of my time, but I鈥檓 very passionate about it and it鈥檚 the best decision I ever made.鈥 

That youthful energy was exciting for Walizer to see, as well. 

鈥淭he emotional intelligence students need to have to be asking things about how do I engage in politics in a way that鈥檚 healthy, how do I have conversations with my roommates in a way that鈥檚 respectful鈥攖hose are not things I鈥檝e seen asked in a situation like this before,鈥 he said. 

In addition to being open to all 兔子先生传媒文化作品 students, the discussion was livestreamed to audiences at Colorado Mesa University, in Grand Junction, and Fort Lewis College, in Durango. It was followed by a live viewing of the vice presidential debate between JD Vance and Tim Walz.

Lori Bergen, founding dean of CMCI, kicked off the event by encouraging students to seek out difficult conversations as a way to learn and grow. 

鈥淥n our campus, we really are in a place where difficult conversations can and should occur,鈥 Bergen said. 鈥淲hen we approach those with courage and curiosity and care and consistency, that鈥檚 when learning and growth and progress really happen.鈥

CMCI faculty panelists praised students for raising thoughtful, serious, nonpartisan questions about how to be active citizens.

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Wed, 02 Oct 2024 21:32:25 +0000 Anonymous 7131 at /cmci
We鈥檙e not going to agree. That doesn鈥檛 mean we shouldn鈥檛 talk /cmci/news/2024/09/19/research-koschmann-chuang-election-neighbors-boulder We鈥檙e not going to agree. That doesn鈥檛 mean we shouldn鈥檛 talk Anonymous (not verified) Thu, 09/19/2024 - 09:22 Tags: communication faculty featured journalism news research

By Joe Arney

How do you get that neighbor, relative or coworker to change their mind about abortion, gun control or immigration?

You won鈥檛. And Matthew Koschmann wishes you鈥檇 stop trying. 

The associate professor of communication at the University of Colorado Boulder鈥檚 College of Media, Communication and Information said our personal experiences should have taught us by now that those who don鈥檛 agree with us won鈥檛 be swayed by us correcting the information that鈥檚 led them to their beliefs. 

鈥淚f anything, it鈥檚 the opposite,鈥 Koschmann said. 鈥淲e live in a very information rich鈥攊f not gluttonous鈥攅nvironment, and more information does not necessarily make us change our minds. 鈥 Most of us don鈥檛 say, 鈥極h, thank you for correcting me on my assumptions about the world.鈥欌

But that doesn鈥檛 mean we shouldn鈥檛 talk to each other, a theme Koschmann returned to during Monday鈥檚 Difficult Dialogues series hosted by the university鈥檚 Center for Humanities & the Arts. He was part of a panel examining political polarization and how to stay good neighbors at a time of deep division in the United States. 

鈥淚f you can鈥檛 talk about something, you can鈥檛 fix it,鈥 said Jennifer Ho, director of the center, in opening the discussion. 鈥淪o, how do we find a way forward鈥攈ow do we stay good neighbors, no matter what results happen in November or in January?鈥

Polarization and the press

  鈥淚f we bring it back to experience, it can be a moment of sharing, rather than a moment of debating positions of things that are very personal to us鈥攚hich is very difficult.鈥
Angie Chuang, associate professor, journalism

The panel also featured Angie Chuang, an associate professor of journalism at CMCI and a former journalist whose research looks at race and identity, especially as presented by the media.

鈥淭he news media is part of the problem,鈥 she said. 鈥淚t informs people, and creates this rich source of information, but it oftentimes polarizes people.鈥

It鈥檚 a problem that鈥檚 arguably gotten worse in the digital age, as the number of publications and platforms has mushroomed. Instead of the mid-19th century penny presses, clickbait proliferates through alternative news sites.

鈥淭he news media is not there to improve our national dialog or improve our nuanced understanding,鈥 Chuang said. 鈥淭here are individual journalists who are trying really hard, and there are organizations trying to fight this鈥攂ut as a marketplace, it is trying to get advertising money. Understand that, and you become a savvier media consumer.鈥

Chuang and Koschmann were joined on the panel by Boulder Mayor Aaron Brockett, as well as moderator Michaele Ferguson, an associate professor in the university鈥檚 department of political science.

If you鈥檝e tried to have conversations with people who don鈥檛 share your views, you know how difficult the proposition can be. Chuang said our social identities鈥攔ace, gender, sexuality, religion and others鈥攁re seen as essential to who we are, so when that becomes the topic, discussion quickly veers off course.

鈥淚f I were to say, 鈥楳ichelle, your views on the economy and foreign trade are just totally ignorant, and I can鈥檛 even understand why you think the way you do,鈥欌 Chuang said to Ferguson, 鈥渋t comes off differently than if I say, 鈥楳ichelle your views on race are completely ignorant.鈥 

鈥淚f I say, tell me your experience based on your identities, that is a different conversation than, 鈥榃hy is your position on policing or affirmative action the way it is?鈥 If we bring it back to experience, it can be a moment of sharing, rather than a moment of debating positions of things that are very personal to us鈥攚hich is very difficult.鈥 

Defusing disagreements

As the mayor of a city with a well-publicized progressive bent, you might expect Brockett鈥檚 days are spent on friendly territory, but spoke about the difficult conversations he鈥檚 had with residents on any number of issues. He defuses such situations by offering to learn about how the other person formed their viewpoint, and sharing materials that demonstrate where he鈥檚 coming from.

It doesn鈥檛 always work, he said. Once, he sent a peer-reviewed paper to a resident to shine light on an issue, which she countered by sending a thesis proposal from a master鈥檚 student that she found online.

鈥淥n almost any topic, you can find something to support a position, any position, somewhere on the internet,鈥 Brockett said. Online, he said, 鈥渕any of us are accustomed to getting feedback loop, hearing the same viewpoints over and over again鈥攁nd then it becomes inconceivable to you how other people might think something different.鈥 

The panelists agreed that those difficult conversations are worth having because when you find a moment of connection, it鈥檚 authentic and validating. Just don鈥檛 go in expecting to bring people around to your ideological corner. 

鈥淚f you are interested in being influential and persuasive in implementing change in your community, the most effective thing you can do is not explicitly try to change people鈥檚 minds,鈥 Koschmann said. 鈥淭ry to live a beautiful life of human flourishing, that is attractive and winsome, that draws people to you鈥攁nd then people say, 鈥榃hat鈥檚 going on, tell me more about your interests and why you鈥檙e happy.鈥欌 

Two CMCI professors took part in a community roundtable to explore how we can stay good neighbors amid intense polarization.

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Thu, 19 Sep 2024 15:22:24 +0000 Anonymous 7126 at /cmci
Class acts: CMCI鈥檚 new faculty bring new ideas on A.I., identity, culture to Boulder /cmci/news/2024/08/22/new-faculty-tech-journalism-advertising Class acts: CMCI鈥檚 new faculty bring new ideas on A.I., identity, culture to Boulder Anonymous (not verified) Thu, 08/22/2024 - 14:16 Tags: aprd communication dcmp news envd faculty featured information science journalism news research

By Joe Arney
Photo by Kimberly Coffin (CritMedia, StratComm'18)

When asked why they choose the University of Colorado Boulder, students and faculty alike tend to cite its location, along with academic prestige, research successes and access to opportunity.

That was a big draw for Joe Izaguirre III, as well. But it wasn鈥檛 the mountains he had in mind when he signed on as an assistant professor of communication at the College of Media, Communication and Information.

Izaguirre studies how political power influences Latin identities from the lens of public rhetoric and rhetorical histories. Plenty of the source material for his book includes texts produced by activists who lived in the Colorado area.

鈥淚 hadn鈥檛 thought of this, but I鈥檒l be able to hand-deliver the book to families who participated, instead of just dropping it in the mail,鈥 he said. 鈥淚t feels like an opportunity to have a more personal connection to the things I鈥檝e been studying.鈥

Izaguirre is among the seven new tenure-track faculty joining CMCI this fall. The college also is welcoming seven nontenure-track faculty, including new appointments for professors who previously held different roles.

鈥淚鈥檓 so excited to welcome our new faculty to CMCI,鈥 said Lori Bergen, founding dean of the college. 鈥淎s the media, communication, design and information landscape continues to dramatically change, the new perspectives these professors bring will ensure our students get a cutting-edge, immediately applicable education.鈥

 

  鈥淚t was a great experience, as an instructor, to be able to work with students who were that interested in learning and participating.鈥
Dinfin K. Mulupi, assistant professor, journalism

Design thinking

For the first time, this year鈥檚 incoming cohort includes faculty from the environmental design program, which formally integrated with CMCI over the summer. Though there are no changes for current students, faculty in the program are enthusiastic about the chance to collaborate with colleagues eager to explore new applications for their work.

Mart铆n Paddack, a teaching associate professor who joins CMCI and ENVD following seven years at Howard University, has a wealth of interests around architecture and sustainability, including participatory design鈥斺渦nderstanding how we identify where there is need and trying to create connections with community for design.鈥

鈥淚 always try to inculcate into students that it鈥檚 not about coming up with an idea and saying, here鈥檚 the answer,鈥 said Paddack, who also is founder and principal of the Washington, D.C.-based DesignMAP firm. 鈥淚t comes down to communication鈥攁sking the right questions and really listening so you can identify where the needs are. If you are prescriptive, and don鈥檛 listen to your community, that鈥檚 when design starts to fail.鈥

Paddack brings a diverse set of interests鈥攁rchitecture, sustainability, social responsibility, writing, painting, woodworking鈥攖o the classroom, as well as a global perspective: He was born in Puerto Rico and raised in Peru and Uruguay before moving to D.C. as a boy. He also taught in South America and completed a painting residency in Barcelona. He helped set up a fabrication lab at Howard to ensure students developed both practical architecture experience.

鈥淭hat鈥檚 something I really like about environmental design at CU鈥攖he focus on how we can apply sustainable principles across four different areas, and an emphasis on doing hands-on fabrication so that students learn the theory, but also how to apply it,鈥 he said.

鈥楪reat experience鈥 connecting with students

Most new faculty who join CMCI say they feel an instant rapport with professors in their departments, which makes the college feel like home well before they start. That was true for Dinfin K. Mulupi, as well, but she felt an equally strong connection to the journalism students she taught as part of the interview process.

鈥淚 was fascinated by their interest in learning the research behind journalism practices,鈥 said Mulupi, a native of Kenya who came to CMCI via the PhD program at the University of Maryland, College Park.

A discussion she led critiquing news coverage of immigration, Mulupi said, sparked so much insightful discussion that she felt bad moving on to the next topic.

鈥淚t was a great experience, as an instructor, to be able to work with students who were that interested in learning and participating,鈥 she said. 鈥淲hen you鈥檙e a professor, you are creating knowledge with your students, and they were so attentive and involved that I know it will be a privilege to teach them.鈥

Mulupi鈥檚 research looks at sexism and sexual harassment in newsrooms, and came from working on her thesis as the #MeToo movement gained momentum. She was among the first scholars to explore the topic in Kenyan newsrooms; her work has since expanded to more than 20 countries.

It鈥檚 an important topic at a time when the news industry is contracting, as 鈥渨hen you have a newsroom culture with sexism, harassment, racism and bigotry, you lose talented journalists who don鈥檛 feel safe and included,鈥 she said. 鈥淚 am also focusing on solutions, especially exploring how we can build safer, more inclusive newsrooms that produce news content that serves the diverse needs and interests of a wider audience.鈥

Pooja Iyer, who joined CMCI from the University of Texas Austin, where she completed her doctoral work in the spring. She鈥檚 also doing timely work, researching the ethics around how advertising firms collect and use data in the course of connecting to consumers.

鈥淚n my industry days, I realized my own cognitive dissonance鈥攁sking how granular we could get on a target audience while having ad blockers on my computer,鈥 said Iyer, an assistant professor in the Department of Advertising, Public Relations and Media Design. 鈥淚 believe the advertising world can play a more ethical role in how and why they鈥檙e using data, and how they鈥檙e protecting customers鈥攂ecause there isn鈥檛 enough literacy around this.鈥

It鈥檚 something her student will need to consider as they graduate, she said.

鈥淲hether you鈥檙e in creative, account management, media planning, it doesn鈥檛 matter鈥攜ou will be working with data,鈥 Iyer said. 鈥淪o, how can we best empower you to be ethical about the use of that data? As educators, that really needs to be front and center for our students.鈥

Incoming professors bring an interest in cutting-edge topics at a time when the media landscape is undergoing dramatic change.

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Thu, 22 Aug 2024 20:16:32 +0000 Anonymous 6973 at /cmci
Class of 2024: Inspired by our graduates /cmci/2024/06/12/class-2024-inspired-our-graduates Class of 2024: Inspired by our graduates Anonymous (not verified) Wed, 06/12/2024 - 15:05 Categories: CMCI Now Tags: advertising public relations and media design communication graduation information science media production media studies The Class of 2024 overcame unique challenges when they arrived in Boulder. In this issue, we celebrate their successes. window.location.href = `/cmcinow/2024/05/30/inspired-our-graduates`;

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Wed, 12 Jun 2024 21:05:01 +0000 Anonymous 6914 at /cmci
Announcing the spring 2024 dean's list /cmci/2024/05/24/announcing-spring-2024-deans-list Announcing the spring 2024 dean's list Anonymous (not verified) Fri, 05/24/2024 - 15:27 Tags: advertising public relations and media design communication critical media practices deans list featured information science journalism media studies news

CMCI students who have completed at least 12 credit hours of 兔子先生传媒文化作品 course work for a letter grade in any single semester and achieve a term grade point average of 3.75 or better are included on the dean鈥檚 list. They receive a notation on their transcript and a letter from CMCI Founding Dean Lori Bergen. Congratulations to all honorees!

  • Matt Abatangle
  • Alysia Abbas
  • Alyssa Abbate
  • Kristin Adams
  • Simrita Advani
  • Sana AlJobory
  • Sophie Allaway
  • Kay Louise Altshuler
  • Jessica Amend
  • Lisa An
  • Alexandra Anaya
  • Bridgette Anderson
  • Josh Archie
  • CJ Armitage
  • Bella Arney
  • Cole Arnot
  • Zion Atwater
  • Keara Aughney
  • Brooke Aulerich
  • Lisbeth Avalos-Parra
  • Niles Ayer
  • Mason Bailey
  • Meredith Baker
  • Noa Baker-Durante
  • Kathryn Ballode
  • Emilie Barbattini
  • Blake Barnes
  • Emily Barnes
  • Emalee Barr
  • Emma Barry
  • Jenna Barsocchini
  • Maddy Barth
  • Ellena Bassoukos
  • Taylor Beamer
  • Kayla Beebower
  • Haya Ben Essa
  • Jane Bengston
  • Eddie Benjamin
  • Charlie Bennett
  • Kayla Bennett
  • Madelyn Bennett
  • Aspen Christina Bentley
  • Tommy Berman
  • Tony Beum
  • Adrianna Bhan
  • Teak Biaggi
  • Tommy Bittner
  • Logan Blackburn
  • Grace Blitz
  • Jess Boehner
  • Cassidy Boldvich
  • Patrick Boley
  • Anvitha Bompalli
  • Elena Bonner
  • Brooke Bonynge
  • Sophia Books
  • Jack Boruchov
  • Abby Boutrous
  • Grant Bowditch
  • Elijah Boykoff
  • Marisa Bracke
  • Ben Brechtel
  • Beth Brechtel
  • Hannah Brennan
  • Audrey Brice
  • Bailey Brown
  • Courtney Brown
  • Benjamin Browning
  • McKenna Bryant
  • Renee Buchenroth
  • Mia Buchholz
  • Annilise Burgess
  • Eric Burns
  • Grace Burns
  • Parker Burt
  • Gabbie Burton
  • Madeline Byerly
  • Noelia Caballero
  • Cam Cahoon
  • Victoria Calton
  • Isabelle Calvanese
  • Lourdes Camarillo
  • Mackenzie Campbell
  • Bianca Cano
  • Alyx Carifa
  • Sarah Carleo
  • Jessie Carlin
  • Mitchell Carswell
  • Quinn Cassell
  • Mia Castro
  • Sofia Cecchini
  • Zachary Chagnon
  • Natanya Chatfield
  • Ryan Chilson
  • Rachel Choi
  • Matthew Cicero
  • Emma Clary
  • Emme Clymer
  • Raphael Coelho
  • MacKenzie Cole
  • Sydney Coleman
  • Sophia Collins
  • Natalie Coniglio
  • Gabriella Connell
  • Scott Connor
  • Olivia Conrad
  • Breah Conradson
  • Diego Cordero
  • Kyndal Corkins
  • Ainsley Cox
  • Lily Cox
  • Bailey Craig
  • Elise Crall
  • Curtis Croll
  • Gavin Crowson
  • Charlotte Croy
  • Eryn Cryer
  • Kat Culpepper
  • Lilly Curry
  • Liz Cutting
  • Ella Elisabeth D'Orazio
  • Lacey Daniell
  • Hannah David
  • Katherine Davis
  • Sasha Davison
  • Alex DeMartine
  • Madison DeSimone
  • Eric Deuchar
  • Kelley Deveny
  • Zach Dial
  • Jacob Dilling
  • Jack Dobson
  • Campbell Dokken
  • Connie Dolati
  • Ally Doll
  • Lexi Dolsak
  • Reeve Donner
  • Sydney Dossa
  • Wylie Douglas
  • Daniel Doupe
  • Averie Dow
  • Lucas Drager
  • Noah Drewes
  • Michael Drozd
  • Paris Dunlavey
  • Hannah Duthie
  • Ansley Edelbrock
  • Lily Edwards
  • Camryn Eickenberg
  • Jenny Ellis
  • Josie Elowsky
  • Lucy Esquivel
  • Lily Estes
  • Jack Evans
  • Morgan Evans
  • Elena Exenberger
  • Conor Farah
  • Gavin Faulkner
  • Trent Finnegan
  • Elena Fisher
  • Alexys Fitz
  • Max Fitzloff
  • Daisy Flakus
  • Lily Fletcher
  • Katie Ford
  • Emma Fraser
  • Lyla Fruehstorfer
  • Alexia Funk
  • Roxy Fusco
  • Evanie Gamble
  • Bailee Gammel
  • Ruby Gara
  • Katelyn Gardner
  • Stephanie Gauval
  • Nicole Geary
  • Audrey Geer
  • Kiara Gelbman
  • Piper George
  • Ellie Gianola
  • Bobby Gibbons
  • Tegan Gie
  • Lauren Gillespie
  • Ryan Giordano
  • Gianna Girardi
  • Lily Goldstein
  • Max Gong
  • Lauren Gooding
  • Maxx Goodman
  • Richard Gorman
  • Ashley Gosch
  • Cj Grandi
  • Lilly Gray
  • Mia Graziano
  • McKenna Green
  • Eli Gregorski
  • Satori Griffith
  • Will Griffiths
  • Sarah Grim
  • Eli Grimm
  • Will Guanci
  • Jack Guerena
  • Beth Gurgel
  • Nate Habteyonas
  • Victoria Hall
  • Hannah Hamilton
  • Norah Hampford
  • Nate Hankins
  • Zo毛 Hannan
  • J.T. Harland
  • Wilson Harper
  • Maeve Harrington
  • Ella Harris
  • Sabrina Harris
  • Alex Hartman
  • Nick Haseman
  • Wessam Hassan
  • Oda Haugen
  • Sophie Hayes
  • Madison Hays
  • Stevie Hemans
  • Will Henrickson
  • Kate Herigon
  • Amanda Hetland
  • Shannon Ho
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Fri, 24 May 2024 21:27:13 +0000 Anonymous 6897 at /cmci
Class of 2024: William W. White Honorees /cmci/2024/05/05/class-2024-william-w-white-honorees Class of 2024: William W. White Honorees Anonymous (not verified) Sun, 05/05/2024 - 01:28 Categories: Class of 2024 Tags: aprd communication critical media practices featured graduation information science journalism media studies news William W. White Outstanding Seniors are chosen by department faculty to recognize academic merit, professional achievement and service to the college. The Outstanding Graduate award honors the CMCI student with the highest overall GPA in their graduating class.

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Sun, 05 May 2024 07:28:09 +0000 Anonymous 6888 at /cmci
Class of 2024: Bianca Perez /cmci/2024/05/02/class-2024-bianca-perez Class of 2024: Bianca Perez Anonymous (not verified) Thu, 05/02/2024 - 00:42 Categories: Class of 2024 Tags: communication featured media studies news research white winner A CMCI graduate鈥檚 working-class upbringing has given her a unique perspective on tech, wage theft and exploitation, which she鈥檚 bringing to an Ivy League doctoral program. window.location.href = `/cmcinow/2024/05/01/her-background-humble-her-insights-labor-and-ai-are-anything`;

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Thu, 02 May 2024 06:42:01 +0000 Anonymous 6878 at /cmci