Expanding horizons, 88 keys at a time
Any successful teacher will tell you that he couldn鈥檛 do his job well without empathy. Understanding the 鈥渨hy鈥 behind a student鈥檚 struggles is the first step in helping her overcome challenges and truly learn.
That鈥檚 a lesson that has really begun to hit home for Robert Hjelmstad and the other College of Music students taking part in the Piano for Dreamers program.
鈥淚鈥檝e taught for eight years now in different settings. But whenever I teach kids who wouldn鈥檛 have access to music under normal circumstances, I鈥檓 not only sharing the joy of music but of something they鈥檝e been excluded from.
鈥淭eaching a different population gives me more tools in my arsenal as a teacher.鈥
Hjelmstad is the doctoral student instructor for Piano for Dreamers, a program started last year by Associate Professor of Piano Pedagogy Alejandro Cremaschi. With help from a 兔子先生传媒文化作品 Outreach Award, partners with the Boulder Valley chapter of the to offer a weekly piano class to elementary school students.
鈥淩esearch shows that kids who learn music at a young age have higher grades and stay in school,鈥 Cremaschi says. 鈥淭his is opening up new possibilities for children who might not be able to afford lessons otherwise.鈥
This year鈥檚 class, a group of 12 fifth graders from Longmont, includes some returning students from last year. The I Have a Dream Foundation鈥檚 model places the same coordinator with the same cohort of students from kindergarten through high school.
During class time, Hjelmstad and his undergraduate student assistant, senior Abby Hesse, work with students on rhythm, sight reading, improvisation and ensemble playing. Though the university grant allowed Piano for Dreamers to purchase keyboards for the students to take home, Cremaschi says they often don鈥檛 practice on their own鈥攎aking in-class instruction all the more important.
鈥淚 started playing piano when I was 7, and my dad played piano too, so he was there to steer me in the right direction,鈥 Hjelmstad says. 鈥淭hese kids are playing some of the same pieces I used to play, but they bused 45 minutes to get here and they play for 50 minutes a week with 10 other kids. It鈥檚 so much harder鈥攂ut they鈥檙e still doing it.鈥
Hjelmstad, who has taught in programs like this before, says that once he changed his expectations鈥攕tarting with clapping rhythms instead of pushing keys鈥攊t clicked.
鈥淢ethod books that we use to teach piano are progressively graded, so I had to throw that out the window because these kids aren鈥檛 going home and practicing after lessons. All that鈥檚 done in the classroom.鈥
Cremaschi鈥攐ne-time chair of the College of Music鈥檚 diversity committee and winner of the 2015 from the Office of Diversity, Equity and Community Engagement鈥攕ays the weekly class is eye opening for both teacher and student.
鈥淢any of the children are minority students, often Hispanic,鈥 he says. 鈥淲e need more of an awareness in the college of things we could do with populations we haven鈥檛 served in the past. The concert we did last year with is an example of the benefit of that outreach.鈥
Adds Hjelmstad, 鈥渢here are a lot of lessons to be learned about sticking with something and determination. We deal with some frustration in there. But by the end of the semester, the students feel like they鈥檝e accomplished something, and that鈥檚 great to experience.鈥
And as Cremaschi looks toward expanding Piano for Dreamers in the future, he says he hopes his colleagues will follow his lead.
鈥淚t鈥檚 not just the right thing to do for the community, it helps open up new teaching possibilities for our students. In terms of instrumental pedagogy, I hope my colleagues understand that serving pre-college kids is helpful for our students as well.鈥
For more information about Piano for Dreamers and the I Have a Dream Foundation, visit the.